{"id":1779,"date":"2017-04-27T15:59:37","date_gmt":"2017-04-27T15:59:37","guid":{"rendered":"http:\/\/vetter.sites.grinnell.edu\/gamelan\/?page_id=1779"},"modified":"2024-09-19T14:02:49","modified_gmt":"2024-09-19T14:02:49","slug":"two-archaic-gamelans-2","status":"publish","type":"page","link":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/two-archaic-gamelans-2\/","title":{"rendered":"Two Archaic Gamelans"},"content":{"rendered":"<p>This film documents performances on the archaic gamelans <a href=\"https:\/\/vetter.sites.grinnell.edu\/gamelan\/kraton-yogyakarta-gamelans\/k-k-maesaganggang\/\">K.K. Ma\u00e9saganggang<\/a> (a\u00a0<em>gamelan kodhok ngor\u00e8k<\/em>) and <a href=\"https:\/\/vetter.sites.grinnell.edu\/gamelan\/kraton-yogyakarta-gamelans\/k-k-gunturlaut\/\">K.K. Gunturlaut<\/a> (a\u00a0<em>gamelan monggang<\/em>) at Sitihinggil Lor as part of the Grebeg Mulud ceremony on March 31, 2007. During the segments that in turn focus on these two\u00a0<em>pusaka<\/em>\u00a0gamelans, the contribution of each instrument to the composite\u00a0sound of its\u00a0ensemble can be seen and heard. The sounds of these gamelans are often overlaid with the music of passing\u00a0<em>bragada<\/em>\u00a0<em>prajurit<\/em>\u00a0(\u201cpalace guard units\u201d), providing the viewer with a fine example of the Javanese\/Indonesian ideal of\u00a0<em>ramai<\/em>, denoting a bustling, noisy, festive social setting.<\/p>\n<div style=\"width: 720px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-1779-1\" width=\"720\" height=\"480\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-content\/uploads\/2022\/09\/KY_Archaic.m4v?_=1\" \/><a href=\"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-content\/uploads\/2022\/09\/KY_Archaic.m4v\">https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-content\/uploads\/2022\/09\/KY_Archaic.m4v<\/a><\/video><\/div>\n","protected":false},"excerpt":{"rendered":"<p>This film documents performances on the archaic gamelans K.K. Ma\u00e9saganggang (a\u00a0gamelan kodhok ngor\u00e8k) and K.K. Gunturlaut (a\u00a0gamelan monggang) at Sitihinggil Lor as part of the Grebeg Mulud ceremony on March 31, 2007. During the segments that in turn focus on these two\u00a0pusaka\u00a0gamelans, the contribution of each instrument to the composite\u00a0sound of its\u00a0ensemble can be seen &hellip; <a href=\"https:\/\/vetter.sites.grinnell.edu\/gamelan\/two-archaic-gamelans-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Two Archaic Gamelans&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1779","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-json\/wp\/v2\/pages\/1779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-json\/wp\/v2\/comments?post=1779"}],"version-history":[{"count":7,"href":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-json\/wp\/v2\/pages\/1779\/revisions"}],"predecessor-version":[{"id":2861,"href":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-json\/wp\/v2\/pages\/1779\/revisions\/2861"}],"wp:attachment":[{"href":"https:\/\/vetter.sites.grinnell.edu\/gamelan\/wp-json\/wp\/v2\/media?parent=1779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}