{"id":264,"date":"2016-07-14T20:38:06","date_gmt":"2016-07-14T20:38:06","guid":{"rendered":"http:\/\/vetter.sites.grinnell.edu\/ghana\/?p=264"},"modified":"2016-11-03T19:50:12","modified_gmt":"2016-11-03T19:50:12","slug":"adenkum-audio-and-video-selections","status":"publish","type":"post","link":"https:\/\/vetter.sites.grinnell.edu\/ghana\/uncategorized\/adenkum-audio-and-video-selections\/","title":{"rendered":"Adenkum Audio and Video Selections"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Audio Selection:<\/strong><\/p>\n<p style=\"text-align: left;\" align=\"center\">Three things to focus on while listening to the audio selection are: the time keepings role of the <i>afirikyiwa<\/i>, <i>adenkum<\/i> and <i>abaa<\/i>; the unrelenting, inflected, rapid-fire <i>dondo<\/i> part; and the call-response interaction of the voices.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-264-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/vetter.sites.grinnell.edu\/ghana\/wp-content\/uploads\/2016\/07\/Adenkum.mp3?_=1\" \/><a href=\"http:\/\/vetter.sites.grinnell.edu\/ghana\/wp-content\/uploads\/2016\/07\/Adenkum.mp3\">http:\/\/vetter.sites.grinnell.edu\/ghana\/wp-content\/uploads\/2016\/07\/Adenkum.mp3<\/a><\/audio>\n<p style=\"text-align: center;\"><strong>Texts \/ Translations for the Songs Heard on the Audio Example:<\/strong><\/p>\n<p><i>[Obo Onomabu* bra begye nsa.]<br \/>\nAfe aso bra begye nsa.<br \/>\nNana Kweku Wobir<\/i>.<br \/>\n[The stone should come for a drink.] (note: a formula used when pouring libations.)<br \/>\nAnother year is here for us, come for a drink.<br \/>\nNana Kweku Wobir. (note: possibly a powerful god in the area.)<br \/>\n*<i>Obo<\/i> <i>Onomabu<\/i>=<i>Obonoma<\/i>=rock bird=Anomabu (Anomabu is built on a rocky outcrop. The town was given its name because birds liked to alight on the rocky shoreline where it was built.)<\/p>\n<p><i>[Awar bi ye musu\/asan.]<br \/>\nOadaadaa me akyere amanmba.<br \/>\nMedze moho rokosom awar a.<\/i><br \/>\n[Some marriages can produce calamities.]<br \/>\nSome marriages can be omen producing. note: the gist of this text is that a woman has tried to serve under the bondage of marriage, but has been made a fool of before the entire community.<\/p>\n<p><i>[Aborofo woato nsa afre hen.]<br \/>\nAborofo woetu kyew fre hen.<br \/>\nYewosow yewoyow aborofo wotu kyew fre hen.<\/i><br \/>\n[The white men have invited us.]<br \/>\nThe white men have doffed their hats for us.<br \/>\nWe shake and shake (the<i> adenkum<\/i> rattles), we make good music for the white men.<\/p>\n<p style=\"text-align: center;\"><strong>Video Selection:<\/strong><\/p>\n<p>During the video clip you will be able to see the distinctive movement quality of the <i>adenkum<\/i> dance. The Fante are a head-bearing culture (they carry loads on their heads, not their shoulders or backs), and there is an impressive segment where one of the dancers balances a basin containing the group&#8217;s spare <i>dondo<\/i> on her head. Other segments of the video allow you to see how the two drummers coordinate their parts.<\/p>\n<div style=\"width: 320px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-264-1\" width=\"320\" height=\"240\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"http:\/\/vetter.sites.grinnell.edu\/ghana\/wp-content\/uploads\/2016\/07\/Adenkum1.mp4?_=1\" \/><a href=\"http:\/\/vetter.sites.grinnell.edu\/ghana\/wp-content\/uploads\/2016\/07\/Adenkum1.mp4\">http:\/\/vetter.sites.grinnell.edu\/ghana\/wp-content\/uploads\/2016\/07\/Adenkum1.mp4<\/a><\/video><\/div>\n<p style=\"text-align: center;\"><strong>Performance Forces:<\/strong><\/p>\n<table class=\"BodyText\" border=\"0\" cellspacing=\"0\" cellpadding=\"2\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"81\">2 <i>afirikyiwa<\/i><\/td>\n<td>metal castanet consisting of a wide ring worn on the thumb and a somewhat globular-shaped bell hanging from the second finger of the same hand; time-keeping instrument<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>several <i>abaa<\/i><\/td>\n<td>a pair of bamboo concussion sticks; time-keeping instrument<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>5 <i>adenkum<\/i><\/td>\n<td>gourd rattle with an external net of beads, shaken or stamped against an open palm; time-keeping instrument<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>2 <i>dondo<\/i><\/td>\n<td>double-headed pressure drum with hourglass-shaped body, struck with a single hook-shaped stick, only one head is struck; a pair of these is used in an interlocking pattern to provide a rhythmic ostinato<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>cantors<\/td>\n<td>female, two trading off<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>chorus<\/td>\n<td>female, approximately fifteen<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a href=\"http:\/\/vetter.sites.grinnell.edu\/ghana\/uncategorized\/adenkum\/\">&lt;&lt;<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"http:\/\/vetter.sites.grinnell.edu\/ghana\/uncategorized\/apatampa\/\">&gt;&gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Audio Selection: Three things to focus on while listening to the audio selection are: the time keepings role of the afirikyiwa, adenkum and abaa; the unrelenting, inflected, rapid-fire dondo part; and the call-response interaction of the voices. Texts \/ Translations for the Songs Heard on the Audio Example: [Obo Onomabu* bra begye nsa.] Afe aso &hellip; <a href=\"https:\/\/vetter.sites.grinnell.edu\/ghana\/uncategorized\/adenkum-audio-and-video-selections\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Adenkum Audio and Video Selections&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-264","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/posts\/264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/comments?post=264"}],"version-history":[{"count":6,"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/posts\/264\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/posts\/264\/revisions\/731"}],"wp:attachment":[{"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/media?parent=264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/categories?post=264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vetter.sites.grinnell.edu\/ghana\/wp-json\/wp\/v2\/tags?post=264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}